Un francotirador ruso y otro alemán juegan al gato y al ratón durante la batalla de Stalingrado.Un francotirador ruso y otro alemán juegan al gato y al ratón durante la batalla de Stalingrado.Un francotirador ruso y otro alemán juegan al gato y al ratón durante la batalla de Stalingrado.
- Premios
- 7 nominaciones en total
Gabriel Thomson
- Sacha Filipov
- (as Gabriel Marshall-Thomson)
Hans-Martin Stier
- Red Army General
- (as Hans Martin Stier)
Clemens Schick
- German NCO
- (as Clemans Schick)
Argumento
?Sabías que...?
- PifiasIn the scene where Vassili is lighting the cigarette butt he picked up from the German sniper, it's apparent by the flame he uses a butane lighter. Butane lighters were not invented until the 1950's.
- Citas
Commisar Danilov: I've been such a fool, Vassili. Man will always be a man. There is no new man. We tried so hard to create a society that was equal, where there'd be nothing to envy your neighbour. But there's always something to envy. A smile, a friendship, something you don't have and want to appropriate. In this world, even a Soviet one, there will always be rich and poor. Rich in gifts, poor in gifts. Rich in love, poor in love.
- Créditos adicionalesThe end credits are slanted and curved.
- Banda sonoraLa Chanson des Artilleurs
Music by Tikhon Khrennikov
Lyrics by Viktor Gusev
(C) Musikvertag Hans Sikorski, Hamburg
Performed by The Red Army Choir (as Les Choers De L'Armee Rouge)
Courtesy of 7 Productions, Paris
Rese?a destacada
After watching such films as "Saving Private Ryan" and "Patton;" I have come to appreciate war films. For this reason, I decided to see the latest war film, "Enemy At The Gates."
"Enemy At The Gates" may be one of the best war films I have seen since "Saving Private Ryan" because it is executed perfectly. With incredible performances, script and the impact I felt; "Enemy At The Gates" sets the tone as the first great war film of the 22nd century. This film can be served as the appetizer to the main course coming out soon, "Pearl Harbor."
Jude Law, Joseph Feinnes, Rachel Weisz, Ed Harris and Bob Hoskins come together to re-visit the Battle of Stalingrad in 1942. The best thing about seeing each one of the actors perform was they all gave 100 percent effort to make the film as real as possible; they did an excellent job. Fiennes, Weisz and Hoskins were the icing to a cake that was delicious from the start.
The highlights of "Enemy At The Gates" always came when Law and Harris were on screen because they played excellent psychological mind games with one another to win; furthermore, it was like watching master chess players playing for the grand prize. It was also enjoyable to see the strategies and tactics each would use to out-maneuver the other.
"Enemy At The Gates" drew me with its many action sequences similar to those in "Saving Priate Ryan." Also, the love triangle between the three main leads was interesting to watch and see how it would unfold. I felt like I was in the movie because the writer did an excellent job at making me feel exactly what they felt and experience what they were going through.
There is no rule that states dialogue is needed for a successful film. While "Enemy At The Gates" has dialogue, the scenes that have none stand out in my mind the most because we see close-ups of both snipers and the expressions on their faces. This is incredible to me because the intensity shown on their faces speaks volumes about what the movie is really about.
This may not be the best war film ever made but with two of the brightest young stars on the rise, an actress that is here to stay and a veteran that continues to turn in knock-out performances, "Enemy At The Gates" will be remembered for a long time.
"Enemy At The Gates" may be one of the best war films I have seen since "Saving Private Ryan" because it is executed perfectly. With incredible performances, script and the impact I felt; "Enemy At The Gates" sets the tone as the first great war film of the 22nd century. This film can be served as the appetizer to the main course coming out soon, "Pearl Harbor."
Jude Law, Joseph Feinnes, Rachel Weisz, Ed Harris and Bob Hoskins come together to re-visit the Battle of Stalingrad in 1942. The best thing about seeing each one of the actors perform was they all gave 100 percent effort to make the film as real as possible; they did an excellent job. Fiennes, Weisz and Hoskins were the icing to a cake that was delicious from the start.
The highlights of "Enemy At The Gates" always came when Law and Harris were on screen because they played excellent psychological mind games with one another to win; furthermore, it was like watching master chess players playing for the grand prize. It was also enjoyable to see the strategies and tactics each would use to out-maneuver the other.
"Enemy At The Gates" drew me with its many action sequences similar to those in "Saving Priate Ryan." Also, the love triangle between the three main leads was interesting to watch and see how it would unfold. I felt like I was in the movie because the writer did an excellent job at making me feel exactly what they felt and experience what they were going through.
There is no rule that states dialogue is needed for a successful film. While "Enemy At The Gates" has dialogue, the scenes that have none stand out in my mind the most because we see close-ups of both snipers and the expressions on their faces. This is incredible to me because the intensity shown on their faces speaks volumes about what the movie is really about.
This may not be the best war film ever made but with two of the brightest young stars on the rise, an actress that is here to stay and a veteran that continues to turn in knock-out performances, "Enemy At The Gates" will be remembered for a long time.
- Hollywood Chief
- 18 mar 2001
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Enemic a les portes
- Localizaciones del rodaje
- Empresas productoras
- Ver más compa?ías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 68.000.000?US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 51.401.758?US$
- Fin de semana de estreno en EE.?UU. y Canadá
- 13.810.266?US$
- 18 mar 2001
- Recaudación en todo el mundo
- 96.976.270?US$
- Duración2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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