Murder on a Honeymoon

1935
Approved
1h 14min

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James Gleason and Edna May Oliver in Murder on a Honeymoon (1935)

Un profesor de escuela y detective aficionado sospecha que se ha cometido un crimen cuando un pasajero de un hidroavión enferma y muere.Un profesor de escuela y detective aficionado sospecha que se ha cometido un crimen cuando un pasajero de un hidroavión enferma y muere.Un profesor de escuela y detective aficionado sospecha que se ha cometido un crimen cuando un pasajero de un hidroavión enferma y muere.

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6.7/10

986

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Fotos9

+ 4

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Argumento

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Trivia
The plane at the beginning of the film flying to Catalina is a Douglas Dolphin 114, registration NC14204. It was one of four airplanes in the Wilmington-Catalina Airlines fleet at the time. It was handed over to the Army in September 1942 and subsequently shipped to Australia. On July 29, 1943 it crashed at Rose Bay, NSW, Australia and was stripped for parts. Only 58 of all variants of the Dolphin were made. The plane was also used in Living on Velvet (1935). Another Dolphin, registration NC967Y is seen at the seaplane ramp on Santa Catalina Island when the group first arrives. That plane was also in Fog Over Frisco (1934).

Errores
When Oscar Piper sneaks up behind Hildegarde, she is wearing a flowered dress and a hat. They go to lunch and then to the morgue, where she is wearing a suit, gloves, and a different hat.

Citas
Oscar Piper: So that's your system?
Hildegarde Withers: Can you suggest a better one?
Oscar Piper: I suggest using your head a little.
Hildegarde Withers: That'd be nice work for you, Oscar, if you could get it.
Hildegarde Withers: Uuuhhh!

Conexiones
Followed by Murder on a Bridle Path (1936)

Bandas sonoras
The Wedding March
(uncredited)
Written by Felix Mendelssohn
Hummed by Brooks Benedict

Opiniones de usuarios27

Opinión destacada

Physical

This was ? I believe ? the third of the series and the last with this woman. I like these because James Gleason does a ratatat detective, cigar-chomping, who always gets things wrong. The original idea was that a schoolmarm bests him, but her position as a teacher seems to have been forgotten after the first two.

In the first one, they actually fall in love. In the second, she establishes a new pattern as the pushy friend who seems to muddle through before the officials do. It was Gleason that makes these work. He's something of a genius.

In this one, two things are changed. The mystery goes from a pre-noir template to an Agatha Christie one: murder on a small airplane. That means you have only so many suspects and we have seen them all moving about and bumping each other, each doing something suspicious. So its mildly more engaging as a mystery than any of the others.

But something else changes here. There's much, much more physical humor. She tumbles about ungracefully as if that were a hoot. Gleason's inspector gets whacked by every door he gets close to.

Ted's Evaluation -- 2 of 3: Has some interesting elements.