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Joey Molland, guitarist and last surviving core member of the rock group Badfinger, has died at the age of 77.

The band’s official Facebook page announced Molland’s death, noting that he died Saturday night surrounded by family. No cause of death was provided, but Molland had faced health issues including pneumonia in recent months.

“Thank you, Joey…for keeping the band’s music alive for so long and for being a friend to us all,” the band added.

Molland joined Badfinger — formerly the Iveys, and one of the first...

Here’s a toast to Marianne Faithfull, a true rock & roll legend. Nobody was ever better at being an old rock star, except maybe Leonard Cohen. Yet the difference is that Cohen didn’t release his debut album until he was 33 — he was never young in public. Faithfull was a Sixties dolly bird who was on Top of the Pops in her teens, singing “As Tears Go By,” just another disposable pop ingenue. She played Ophelia in the 1970 film version of Hamlet, a hauntingly tragic performance, at a time when...

The Chinese “Year of the (Wood) Snake” starts January 29, 2025, kicking off more than two weeks of parties, customs and copious feasts:

“…the holiday, also known as the ‘Spring Festival’, celebrates the arrival of spring and the start of a new year based on the Chinese lunisolar calendar…

“…in a year expected to be one of positive transformation with the shedding of the ego, letting go of the past, letting go of anger, letting go of love lost.

“The snake matches up with the years of people born in 1941, 1953, 1965, 1977, 1989 and 2001…

“…with famous snakes in pop culture including Robert Downey Jr., Bob Dylan, Buzz Aldrin, Jack Kirby…

“…Audrey Hepburn, John F. Kennedy, Abraham Lincoln, Tom Brady, J.K. Rowling, Linda McCartney, Tim Allen, Liv Tyler, Howard Hughes, Grace Kelly, Paul Simon, Dean Martin, Brooke Shields, Arthur C. Clarke, Elizabeth Olsen, Brie Larson…

“…Joan Crawford, Carole King, Elizabeth Hurley, Kim Basinger, Ernest Borgnine, Henry Fonda,...

Most people’s idea of a Hamptons homemaker is probably some version of a Nancy Meyers character — rich, accomplished and caught up in dizzying romantic confusion in her own piece of tastefully decorated, sun-kissed real estate porn. Linda, the Montauk psychologist played with edge-of-delirium tension by a phenomenal Rose Byrne, is not that woman. In writer-director Mary Bronstein’s If I Had Legs I’d Kick You, Linda is basically a knot of unrelieved stress, immune to the “It’s not your fault” platitudes of a family therapist who warns against the “thinking trap” of shame and blame.

The root cause of Linda’s whirling-dervish anxiety spiral is the mysterious, seemingly untreatable illness of her young unnamed daughter (Delaney Quinn), heard but unseen almost throughout, aside from the bag attached to her intravenous feeding tube. Or her little feet dangling from the toilet as water floods the bathroom of the family home.

As we’ve witnessed with such visionaries as Phil Spector and Sam Phillips, pop record producers can have hugely impactful moments that define an era — but then, as styles and technology evolve around them, never quite regain their footing. Richard Perry, who died Dec. 24 at 82, wasn’t the household name that Spector or George Martin were, but the longevity of his career, especially from the Sixties into the Eighties, was its own type of legacy: Perry left behind a body of work that can now be seen as a roadmap...

Music producer Richard Perry, known for his iconic collaborations with numerous artists from Carly Simon to Barbra Streisand, has died at the age of 82.

Daphna Kastner, Perry’s friend, confirmed his death to news outlets. “He maximized his time here,” Kastner said in a statement to ABC News. “He was generous, fun, sweet and made the world a better place. The world is a little less sweeter without him here. But it’s a little bit sweeter in heaven.” Kastner said that Perry died at a Los Angeles hospital after suffering cardiac arrest.

Richard Perry, a hitmaking record producer with a flair for both standards and contemporary sounds whose many successes included Carly Simon’s “You’re So Vain,” Rod Stewart’s “The Great American Songbook” series and a Ringo Starr album featuring all four Beatles, died Tuesday. He was 82.

Perry, a recipient of a Grammys Trustee Award in 2015, died at a Los Angeles hospital after suffering cardiac arrest, friend Daphna Kastner said.

“He maximized his time here,” said Kastner, who called him a “father friend” and said he was godfather to her son. “He was generous, fun, sweet and made the world a better place. The world is a little less sweeter without him here. But it’s a little bit sweeter in heaven.”

Perry was a onetime drummer, oboist and doo-wop singer who proved at home with a wide variety of musical styles, the rare producer to have No. 1 hits on the pop,...

In the mid-1980s, Whoopi Goldberg exploded onto the entertainment scene via her self-titled, one-woman Broadway show, which was considered so electric and essential that HBO filmed a performance and aired it within a year of its stage premiere. At this point, Goldberg was a force of nature, a comedic dynamo capable of zipping from one deep-tissue character study to another with the ease of Richard Pryor. Meanwhile, her big, brilliant brain seemed to run a mile a minute, like the one possessed by her friend and colleague Robin Williams. Whoopi, it seemed, could do anything. Movie stardom seemed a cinch.

It was. Kind of. After making her dramatic debut in Steven Spielberg's "The Color Purple," she scored a smallish hit with Penny Marshall's comedy thriller "Jumpin' Jack Flash." That led to two more star vehicles in the 1987 duo of "Burglar" and "Fatal Beauty," but they didn't take.

Decades before he was convicted of second-degree murder in 2009, music producer Phil Spector drew a gun and threatened beloved pop singer Cher, as revealed in the singer’s new book, Cher: The Memoir.

In writing, Cher details how her career began as a backup singer, and she was featured on several records that Spector produced. Cher and Spector went their different ways as Cher pursued a solo career, but in 1974 (after the completion of Cher’s album Dark Lady) Cher’s then-boyfriend connected the two for the possibility of a collaboration on a new album.

At this time, Spector asked Cher and Harry Nilsson to sing backup vocals on some songs for John Lennon’s Rock ’n’ Roll album. He also asked them to record a ‘guide vocal’ for the Motown girl group Martha and the Vandellas’ song “A Love Like Yours.” Although Spector supposedly promised to pass the audio on to Lennon,...

Even if you haven’t seen Practical Magic — the 1998 fantasy film starring Nicole Kidman and Sandra Bullock as cursed sister-witches — you know the “midnight margaritas” scene. It happens shortly after Gillian and Sally Owens (Kidman and Bullock, respectively) accidentally murder Gillian’s abusive boyfriend Jimmy Angelov (Goran Vi?nji?). They revive an even worse version of Angelov from the dead, kill him again with a frying pan, and frantically cover up their crime. You know, normal witch stuff.

But then things start looking up — at least briefly. The Owens’ aunts, played...

Jack Jones, the Grammy-winning singer of popular music fare such as “Lollipops and Roses,” “The Impossible Dream,” “Wives and Lovers” and, perhaps most famously, the theme to TV’s The Love Boat, died Wednesday, October 23. He was 86.

A resident of Coachella Valley, California, Jones, who had been diagnosed with leukemia two years ago, died at a hospital in Rancho Mirage, California last night. His family announced the news today to Kesq News Channel 3 of Palm Springs.

Born into a show business family on January 14, 1938, John Allan Jones was the son of singer Allan Jones and actress Irene Hervey. He would become one of the most popular singers of the Adult Contemporary, or Easy Listening, style in the 1960s. He scored Grammy Awards in 1962 (for “Lollipops and Roses”) and 1964 (for the Burt Bacharach and Hal David composition “Wives And Lovers”), just several years after his 1959 album debut This Love Of Mine.

Sister Wives star Meri Brown might be out in the cold from the rest of the family, but she hasn’t lost her sense of humor after the demise of her polygamous marriage, featured on the TLC series. Today, some fans even suggest she is so good at making others laugh, that she missed her calling.

So, take one part, Meri Brown, then add one part Jenn Sullivan, and you have created a recipe for laughter (maybe a little disaster too). Their contribution to online comedy this week proved these two have talent.

Sister Wives: Meri Brown Branches Out

Sister Wives celeb Meri Brown, and her best friend Jenn Sullivan, had some time on their hands recently, enough to do a skit that left the fans in hysterics. Whenever these two get together, there’s laughter.

Sister Wives | TLC

But they recently went above and beyond in a new post...

Litmus Music has acquired Randy Newman’s music publishing and his stake in his recorded music catalog, the company announced Thursday. The deal includes both songs and film scores from throughout his entire career, which dates back to the 1960s.

Among the more famous songs in Newman’s catalog that are part of the acquisition are “I Love L.A.,” “Short People,” “You Can Leave Your Hat On,” “Feels Like Home,” “Mama Told Me Not to Come” and “You’ve Got a Friend in Me.” His film scores include the four “Toy Story” films, “The Natural,” “Awakenings,” “Monsters Inc.,” “Cars,” “Ragtime,” “A Bug’s Life” and “Marriage Story.”

The company said it was entering a “creative partnership” with the musician. No price tag was publicly set on the deal.

Litmus launched in the summer of 2022 and made its first major acquisition the following December, buying Keith Urban’s rights to his master recordings.

Don’t cross the line.

That’s what the trailer for Teacup, the forthcoming Peacock series from horror mastermind James Wan, wants you to know.

In the trailer (below) for the horror-thriller starring Yvonne Strahovski (Handmaid’s Tale) and Scott Speedman (Grey’s Anatomy), a boy (Caleb Dolden) goes on a walk and is seemingly changed forever by what he’s seen.

“He says we’re trapped,” he tells Strahovski’s character. Who? “The man in my head. We need to hide… because it’s coming. And it kills everything that gets in its way.”

The two minute-plus first look at Teacup is eerily set to Harry Nilsson’s “Think About Your Troubles.” The animals are scared. And an anonymous figure draws a line that, if crossed, leads to what sounds to be a gruesome death. Speedman’s character is warned by a stranger wearing a gas mask not to trust anyone,...

The Forrest Gump soundtrack features iconic songs from a wide variety of music artists, including Elvis Presley, Aretha Franklin, and Creedence Clearwater Revival. The movie chronicles the life of the title character, a warm-hearted man from Alabama who takes a tour of 20th-century American history. Throughout his travels, he fights in the Vietnam War, meets a handful of U.S. presidents, invests in Apple on the ground level, and exposes the Watergate scandal. Along the way, Forrest Gump uses needle drops on its soundtrack to reflect the changing times.

Some songs on the Forrest Gump soundtrack are used to establish the period setting, like Jimi Hendrix and Buffalo Springfield underscoring scenes of the Vietnam War, while others are more integral to the plot, such as when Elvis sings one of his biggest hits to show off the dance moves he learned from Forrest. The soundtrack of Forrest Gump was a...

Herbie Flowers, a veteran bass guitarist who worked with the likes of David Bowie, Elton John, Paul McCartney and more, has died at the age of 86, according to a family Facebook post.

He died Sept. 5, though a cause of death was not listed.

“While we knew and loved him as Uncle Herbie, his musical contributions have likely touched your lives as well,” Flowers’ niece’s husband wrote online. “He played bass on many of the songs from the golden age of rock.”

Throughout his decades-long career, the British musician most notably worked on tracks like Lou Reed’s “Walk on the Wild Side” (the iconic bass line of which he originated and was later sampled by such artists as A Tribe Called Quest and Haim) and Bowie’s “Space Oddity.” He also contributed to Harry Nilsson’s 1971 Nilsson Schmilsson (providing the bass line to “Jump Into the Fire”).

“Not many...

Herbie Flowers, the bassist who played on songs like Lou Reed’s “Walk on the Wild Side” and David Bowie’s “Space Oddity,” has died at the age of 86.

Flowers’ September 5 death was confirmed on social media by the bassist’s family members (via the Guardian); no cause of death was provided. “While we knew and loved him as Uncle Herbie, his musical contributions have likely touched your lives as well,” the husband of Flowers’ niece wrote. “He played bass on many of the songs from the golden age of rock.

The 1995 film "12 Monkeys" was one of the few times a Terry Gilliam film wasn't beset with chaos and production problems. Gilliam is notoriously unlucky — not to mention incredibly headstrong — so many of his features were only made after last-minute disasters, deaths, or other major catastrophes. One can see Gilliam's unluckiness in play in Keith Fulton's and Louis Pepe's 2002 documentary "Lost in La Mancha," which traced the director's first, stalled attempt to make "The Man Who Killed Don Quixote." Also, one doesn't need to be a deep-cut cineaste to know all about the issues Gilliam had with his 1983 sci-fi film "Brazil," a picture that was re-cut multiple times.

For "12 Monkeys," though, everything seemed to work out okay. Based on Chris Marker's 1962 short film "La Jetée," the film begins in 2035 after most of humanity has been killed by a lethal virus. Survivors were forced into underground prisons,...

Warning! This article contains Spoilers for The Umbrella Academy season 4.

The Umbrella Academy season 4 wraps up the series with major plot twists and a unique soundtrack capturing key moments. Mixed audience reviews marked the final season, with a bittersweet finale wrapping up neatly in just six episodes. Music plays a crucial role throughout the series, enhancing key scenes and contributing to the show's memorable moments.

The Umbrella Academy season 4 marked the final season, with some major plot twists and a unique soundtrack that captured all the major moments. The Umbrella Academy season 4 has received mixed reviews, particularly from audiences. The Umbrella Academy season 4 marked the shows final season, and some viewers felt let down by the series finale in particular. The season only had six episodes compared to the shows usual 10, but The Umbrella Academy season 4s ending managed to wrap everything up neatly in a bittersweet series finale.

The Umbrella Academy...

It wouldn’t be “The Umbrella Academy” without a soundtrack full of excellent needle drops, and Season 4 is no exception. The final season of Netflix’s superhero comic adaptation has just six episodes to wrap up the wild world of the Hargreeves siblings and their many apocalypses, but the short episode count doesn’t hold it back from dropping catchy song after the next — including one of the world’s most earworm-y songs of all time, “Baby Shark.”

This season’s soundtrack is also a little different because the episodes take place during the holiday season, meaning there are a handful of Christmas classics in the mix as well, from “Santa Baby” to “Carol of the Bells.” They even got the always-coveted rights to a Cher song.

If you’re looking for a handy rundown of the complete “Umbrella Academy” Season 4 song list, here’s a guide to all the...

Working on her third album, Charm, Claire Cottrill had one goal. “This is my third album, and people know me a little bit better, but fuck, they still don’t know,” says Cottrill, 25, who performs as Clairo. “It takes so many records to really understand someone’s choices.“

Working with co-producer Leon Michels — known for his work with El Michels Affair and Sharon Jones & the Dap-Kings — she expanded on the vintage instrumentation she explored on 2021’s Sling, while reviving the sugary synth-pop of her 2019 debut, Immunity. She wound up with...

In October 1973, John Lennon — the man who seven years earlier whipped the Bible Belt into the Beatle Belt by proclaiming the Fab Four were “more popular than Jesus”— came off uncharacteristically reserved when discussing his latest LP. “The album’s called Mind Games, and it’s, well, just an album,” he told Melody Maker. “It’s not a political album or an introspective album. Someone told me it was ‘like Imagine with balls,’ which I liked a lot. … There’s no deep message about it.”

Bizarrely, he was downplaying the record,...

Shelley Duvall, the actress who captivated moviegoers in Robert Altman classics and brought wide-eyed terror to Stanley Kubrick’s The Shining, has died at the age of 75.

Duvall’s life partner Dan Gilroy confirmed the actress’ death to the Hollywood Reporter, adding that she died in her sleep of complications from diabetes at their home in Blanco, Texas, where Duvall moved to after leaving Hollywood in the mid-Nineties.

“My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley,...

Typically, when a star has a new movie coming out, they promote it as much as possible. But Whoopi Goldberg once did the exact opposite, taking legal action to prevent one of her movies from ever reaching theaters. And somehow it wasn’t the movie where she solves crimes with the help of a talking dinosaur.

Back in 1988, Goldberg starred in The Telephone, an experimental dramedy about an out-of-work actress who spends most of her time holed up in a small apartment making phone calls. It’s kind of like an avant-garde theater piece (specifically Jean Cocteau’s The Human Voice) crossed with a Bob Newhart routine — but not as good as that makes it sound.

Weirdly enough, The Telephone was the only film ever directed by actor Rip Torn, of The Larry Sanders Show, Men in Black and drunkenly breaking into a bank that one time fame. And it...

The Continental's 70s soundtrack sets the tone of the series, enhancing the disco-infused NYC setting. Winston's origin story is accompanied by iconic songs from the era, adding depth to the narrative. Music in The Continental differs from John Wick films, reflecting Winston's character and the show's distinct style.

The Continental has a soundtrack filled with songs from the 70s and the eras before to sell its past setting; here is every song in the John Wick prequel and where it plays in each episode. The Continental is set in the 1970s and tells the origin story of Winston Scott alongside his brother Frankie. In the John Wick films, Winston was played by Ian McShane as the manager of the New York Continental, with Colin Woodell bringing a younger Winston to life.

Given that The Continental is set in the 1970s, it has a distinct visual style in comparison to the...

Independence Day is here, and Deep Tracks is focusing on the most essential fourth releases from American classic rock artists! We’re counting down your favorites, as voted by you.

Deep TracksFourths for the FourthListen on the App

Listen on the App

Stream the “Fourths for the Fourth” countdown in the SiriusXM app now, and catch it on-air when it premieres on Deep Tracks (Ch. 308) on July 4 at 4pm Et.

Directions: Vote once for up to 15 of your favorite albums in the poll below before 11:59pm Et on June 16, 2024.

Can’t see the poll? Click here to vote.

Fourth releases from American classic rock artists

These are the possible album choices for this year’s “Fourths for the Fourth” countdown:

Allman Brothers Band – Brothers And Sisters

Aerosmith – Rocks

Al Kooper – New York City (You’re A Woman)

Alice Cooper – Killer

Beach Boys – Little Deuce Coupe

Big Star – In Space...

Thelma The Unicorn features original songs by Brittany Howard that capture the film's themes and propel the plot forward. The movie offers a mix of recognizable pop hits and inventive original songs to enhance the viewing experience. Each character in the film gets their own musical number, adding depth to the story and showcasing the talents of the cast.

Thelma The Unicorn features several original songs by Brittany Howard and other artists alongside a range of recognizable pop hits. The Netflix animated movie follows Thelma, a pony who wishes to be a successful singer but doesn't have the looks and glamor for it. When she gets a makeover by chance one day, she shoots up to fame, but then has to reckon with the cost of it. Thelma The Unicorn has an incredible soundtrack filled with inventive original songs that depict the film's key themes and advance the plot.

The...

Clairo has returned to announce her new album, Charm, and shared the record’s first single, “Sexy to Someone.” Stream it below.

Set for release on July 12th, Charm is Clairo’s third album, and will arrive via her new label, Clairo Records. The album was produced by Leon Michels of the Dap-Kings and El Michels Affair, and it sees Clairo advancing on the ornate, jazz-and-folk-inspired work found in Sling. Recorded live to tape with an extensive ensemble of musicians, Clairo was inspired by the ambitious arrangements, songwriting, and recording technqiues of Harry Nilsson and Blossom Dearie.

After hopping on remixes of tracks from Phoenix and Beabadoobee and releasing a pair of singles on Bandcamp benefitting Doctors Without Borders last year, “Sexy to Someone” is Clairo’s first piece of new music since 2021’s Sling. With a driving drum beat, poppier melodies, a flute and saxophone line, and plenty of piano,...

Eddie Murphy is back with a badge for the fourth franchise installment of his beloved series, with “Beverly Hills Cop: Axel F.”

The upcoming Netflix film, which teased a first look earlier this year, marks Murphy’s long-rumored reprisal the iconic character Detective Axel Foley. The ’80s-era franchise first began with Foley as a Detroit detective turned temporary L.A. police officer for an uncover mission. Now, after having worked in L.A. sporadically for decades, Foley teams up with his estranged daughter Jane (Taylour Paige) to take down yet another conspiracy.

Along the way, Foley lands a new partner (Joseph Gordon-Levitt) and police captain (Kevin Bacon), but his old confidantes, including Billy Rosewood (Judge Reinhold) and John Taggart (John Ashton), are still in the mix. Also returning? Franchise co-stars Paul Reiser and Bronson Pinchot.

“Beverly Hills Cop: Axel F” is directed by Mark Molloy from a script by Will Beall,...

Three decades after he last graced our screen, Axel Foley is back, back, back. Eddie Murphy is returning to his most famous character in long-awaited fourquel Beverly Hills Cop: Axel F – and he’s got a whole new squad with him. While there are familiar faces returning (Judge Reinhold’s Lieutenant Billy Rosewood and Bronson Pinchot’s Serge among them), expect plenty of newcomers too: Taylour Paige as Foley’s estranged daughter Jane, Kevin Bacon as police Captain Grant. And, most importantly, there’s Foley’s brand new police partner: Joseph Gordon-Levitt’s Detective Bobby Abbott.

While Foley’s unpredictability is his greatest asset, Abbott is a much more measured presence. “This character is a bit strait-laced – I am an actual Beverly Hills cop, whereas Axel Foley is a cop from Detroit who finds himself in Beverly Hills – but he’s not a simple straight man,” Gordon-Levitt tells Empire. He,...

Contrary to popular myth, Mama Cass Elliot did not die from choking on a ham sandwich, her daughter is keen for people to know.

On the eve of the 50th anniversary of the death of the songstress with the Mamas and the Papas, Elliot’s daughter Owen Elliot-Kugell has told the BBC, “There was a ham sandwich, but she didn’t eat it and she didn’t choke on it. So enough with the jokes.”

Mama Cass died aged 32 in the London flat of fellow singer Harry Nilsson in 1974, after she had finished a two-week run of performances at the London Palladium. The autopsy confirmed her case of death as a heart attack.

At the time, and in many cultural references since, it was reported that she had choked to death on a ham sandwich, which was found by her bedside.

Her daughter, who has written a book My Mama,...

[Editor’s note: The following interview contains minor spoilers for “The Fall Guy.”]

David Leitch’s “The Fall Guy” has it all. Drama, action, romance, Taylor Swift. As the film’s Super Bowl trailer delighted in telling potential audience members, the upcoming Ryan Gosling- and Emily Blunt-starring feature is packed with a little something for everyone. And, yes, that includes Gosling crying to Taylor Swift’s “All Too Well” during one of the film’s funniest (and most emotional) sequences, one that’s on full display in that second trailer.

But it wasn’t always going to be Swift’s song that made Gosling’s character cry. During a recent interview with producer Kelly McCormick (who is also Leitch’s wife), she revealed to IndieWire there was another choice on the table.

“It wasn’t actually [always going to be a Swift song], but it wasn’t going to be the song that we were playing [during shooting], because it was not right for their romance,” McCormick told IndieWire.

In the article series Sound and Vision we take a look at music videos from notable directors. This week we take a look at several music videos by Luca Guadagnino. Luca Guadagnino's films are vibrant and lush, pulsating with life and a heartbeat, like music. He is often one to curate his soundtracks carefully, with the likes of The Rolling Stones, Harry Nilsson, Captain Beefheart, Sufjan Stevens, Trent Reznor and Atticus Ross, Thom Yorke and John Adams showing up on his soundtracks. Sometimes he chooses pre-existing tracks, but more often he asks his favorite artists to provide the sonic backdrop for his films. It is fitting that a few of the music videos Guadagnino directed are for tracks tailor made for his own features, starting...

[Read the whole post on screenanarchy.com...]...

On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.

First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.

Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.

The Pitch: A Smooth-Brained Boy and His Bright Blue Dog Escape Capitalism

I got my first gig as a professional journalist during the 2016 election. Since then, I’ve read and written countless variations on the same despairing lede. It’s a rambling list of the world’s gravest existential threats punctuated with a quip about something recent, specific, sensational, and typically terrible.

“Protesters may be flooding the pandemic-ridden streets while an insurrection takes place, the planet literally boils, and killer bees swarm Times Square…” some sad-sack news writer might begin. “But at...

Greta Gerwig’s “Barbie”(starring Margot Robbie as the titular doll) is, justifiably, capturing the cultural zeitgeist.

The movie itself is wonderful – a subversive, silly and surprisingly moving. Whatever you thought a “Barbie” movie would be, this isn’t it. There is no egregious product placements (despite almost every product imaginable in our world having a “Barbie” tie-ins) or feelings of gross consumerism. Instead, it’s a lovely tale about feminism and the differences between an idealized world created, in part, by the dreams of young women, and the cruel reality of the world we actually inhabit.

“Barbie” gives you such a buzz, in fact, that you’re probably looking for more things like it. We’ve compiled five movies that are, at the very least, “Barbie”-ish, and ones that we think you’ll probably enjoy.

Note: These are all movies that were not a part of Greta Gerwig...

Stars: Haven Lee Harris, Augie Duke, Brionne Davis, Morgana Ignis, Maria Olsen, Téa Mckay, Timothy Lee DePriest, Angelica Ulloa, Phillip E. Walker, Emily Meister | Written and Directed by Ryan Stevens Harris

Anyone who grew up in a dysfunctional household knows just how traumatic childhood can be. In Moon Garden, writer/director Ryan Stevens Harris visualizes those traumas as the nightmarish denizens of the dark, industrial wasteland that a young girl finds herself trapped in.

Emma lives with her parents Sara and Alex. They love Emma, but they don’t love each other anymore. After getting a scare one night she runs to their room, only to encounter something even scarier, the two of them in the midst of a loud, intense argument. Running from it she trips and takes a fall down the stairs which leaves her in a coma. Her struggle to awake from it becomes a nightmarish trip...

Movie soundtracks can elevate ordinary stories, adding depth and resonance to beloved films. The lasting impact of these soundtracks is evident in the instantly recognizable songs that continue to endure. Sometimes, the music becomes a movie’s highlight, compensating for weaker storylines or characters.

Classic movie musicals like West Side Story have stood the test of time, while films like The Bodyguard provided a platform for legendary artists to showcase their talents. The longevity of these soundtracks is often measured by their chart performance, reflecting their profound influence on generations.

The intertwining of music and cinema is a magical combination. The closing notes of The Breakfast Club, the era-defining mix of Dazed and Confused, and the genius of Prince in Purple Rain are just a few examples of the powerful synergy between sound and vision.

It is impossible to imagine certain movies without their iconic musical moments. Radio Raheem‘s...

“I’d go on a seven-minute rant with a repetitive melody,” Lana Del Rey recently told Billie Eilish in an interview about her writing process for Did You Know There’s a Tunnel Under Ocean Blvd. Indeed, many of the songs on her newly released ninth album do fit that description. They are long and can be repetitive, but truly, a rant has never sounded so alluring.

The six-time Grammy nominee, née Elizabeth Grant, returns this week with her latest album, two years on from a double release in 2021 (Chemtrails Over the Country Club and Blue Banisters). Across eight records and 11 years, Del Rey has built a world and iconography of her own. Hers is one of cherry cola cans, white sundresses, sycamore trees, seedy dive bars and American flags that fly both defiantly and depressingly. More controversial in the Lana lexicon are the deadbeat boyfriends with fast fists that feel like kisses.

“I’d go on a seven-minute rant with a repetitive melody,” Lana Del Rey recently told Billie Eilish in an interview about her writing process for Did You Know There’s a Tunnel Under Ocean Blvd. Indeed, many of the songs on her newly released ninth album do fit that description. They are long and can be repetitive, but truly, a rant has never sounded so alluring.

The six-time Grammy nominee, née Elizabeth Grant, returns this week with her latest album, two years on from a double release in 2021 (Chemtrails Over the Country Club and Blue Banisters). Across eight records and 11 years, Del Rey has built a world and iconography of her own. Hers is one of cherry cola cans, white sundresses, sycamore trees, seedy dive bars and American flags that fly both defiantly and depressingly. More controversial in the Lana lexicon are the deadbeat boyfriends with fast fists that feel like kisses.

Jim Gordon, a drummer who played on Derek and the Dominos’ Layla and Other Assorted Love Songs and the Beach Boys’ Pet Sounds, died Monday at the age of 77. The musician, who was diagnosed with schizophrenia and was serving a prison sentence for killing his mother in 1983, died in a state-run medical facility in Vacaville, California. Publicist Bob Merlis confirmed Gordon’s death in a statement, adding that Gordon died of natural causes.

In addition to his incredible catalog of recordings, Gordon is also known for sharing a songwriting credit on “Layla” with Eric Clapton,...

Jim Gordon, a prolific and in-demand session drummer for dozens of acts who joined Eric Clapton in writing “Layla” for their band Derek and the Dominos and later was convicted of murdering his mother, died Monday at the California Medical Facility in Vacaville, CA. He was 77.

Publicist Bob Merlis said Gordon, who and had been in prison for 40 years and struggled with mental health issues, died of natural causes.

Related Story Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries Related Story Bill Pitman Dies: Wrecking Crew Guitarist Who Played On Countless Hits, TV & Film Soundtracks Was 102 Related Story Eric Clapton Has Covid, Cancels Shows; Guitarist Had Denounced Vaccine Protocols

Born in Los Angeles, Gordon was part of the Wrecking Crew, the core group of studio musicians who played on scads of hits records for dozens of acts. He was behind the kit for such memorable 1960s albums as the Beach Boys’ Pet Sounds and Crosby,...

Jim Gordon, a Wrecking Crew session drummer and member of Eric Clapton’s band Derek and the Dominos who was diagnosed with schizophrenia after murdering his mother, has died at the age of 77.

In 1983, Gordon murdered his mother in a psychotic episode. He was sentenced to 16 years to life, but never showed up for any of his parole hearings. As of this year, he was serving his sentence at California Medical Facility in Vacaville, where he died of natural causes on Wednesday (March 15th), as confirmed by a representative.

Born James Beck Gordon in Southern California, he began playing drums in his early teens and quickly developed a reputation as a talented and versatile musician. His big break came in the late 1960s when he was hired as a session drummer for The Everly Brothers.

With legendary drummer Hal Blaine as his mentor, Gordon became a member of the group...

A24’s Everything Everywhere All at Once won a pair of awards as did Rob Lowry for his music supervision on both Cha Cha Real Smooth and Do Revenge on Sunday at the 13th annual Guild of Music Supervisors Awards.

The ceremony, held at the Wiltern Theatre, celebrated outstanding achievement in the craft across film, TV, documentaries, games, advertising and trailers. It also honored Paul Williams with the guild’s Icon Award, and Pilar McCurry who was posthumously awarded the Legacy Award.

Everything‘s Oscar-nominated song “This Is A Life,” performed by David Byrne, Mitski and Son Lux, won the Best Song Written and/or Recorded for a Film category. The film’s music supervisors Lauren Marie Mikus and Bruce Gilbert also won for Best Music Supervision in the category of Film Budgeted $25 Million and Under.

Anton Monsted from Warner Bros’ Elvis won the Best Music Supervision for Film Budgeted Over $25 Million.

The music supervisors of “Elvis” and “Everything Everywhere All at Once” have won the top feature-film awards at the 13th annual Guild of Music Supervisors Awards, which were handed out on Sunday night at the Wiltern Theatre in Los Angeles.

Anton Monsted won the award for music supervision of a film that cost more than $25 million for “Elvis,” while Lauren Marie Mikus and Bruce Gilbert won for a film under $25 million for “Everything Everywhere All at Once.” That film also won for the best song written or recorded for a film, which went to the Oscar-nominated “This Is a Life,” written by Ryan Lott, David Byrne and Mitski.

Rob Lowry won the two other film awards, one for his music supervision of “Cha Cha Real Smooth” (Best Music Supervision for a Film Budgeted $10 Million and Under) and one for “Do Revenge: Abbey Hendrix, Jonathan Wellbelove – Apple – “The Greatest”

Best...

Quentin Tarantino’s Reservoir Dogs has become notorious in the years following its release thanks to its highly entertaining soundtrack and creative use of music in many of its most iconic scenes. Like the majority of Tarantino’s filmography, Reservoir Dogs uses music as a tool to express the film’s key themes and control the story’s unique style and tone. It’s impossible to overstate Tarantino’s influence over the genre of the crime thriller, and music plays a huge role in that - by blending upbeat music with some surprisingly dark moments on-screen, Tarantino carefully balances the line between comedy and tragedy to create a whole new style of filmmaking.

It’s not often that directors are able to have such a tangible impact on the cinematic landscape after just one feature-length film, but this movie manages to do that. Reservoir Dogs is an exceptional debut that changed the genre,...

In 2023 TV terms, it’s hard to say which represents the bigger artistic risk: a half-hour dramedy featuring temporal disruptions, Jewish mysticism and Harry Nilsson, or an hour-long faithful reproduction — right down to the title font — of the sort of character-driven crime procedurals that were popular in the ’70s and ’80s and definitely aren’t in vogue today.

Let’s just say that Natasha Lyonne doesn’t play it safe. Less than a year after launching the surprisingly solid second season of Netflix’s Russian Doll, Lyonne is back on the small screen as star and executive producer of Peacock’s Poker Face, from creator Rian Johnson and showrunners Nora and Lilla Zuckerman.

The format for Poker Face is so apparently strange and off-putting — a show with standalone mysteries… on streaming… in this economy? — that even Peacock doesn’t quite know how to handle it, launching the series with a...

The harmonium in Paul Thomas Anderson's 2002 film "Punch-Drunk Love" enters the movie in a dramatic and unexplained fashion. It's just before dawn next to a wholesale warehouse somewhere in the San Fernando Valley. Barry Egan (Adam Sandler) has stepped out into the warm darkness to drink his coffee. A red truck down the street is approaching at incredible speeds. Unexpectedly, the truck — perhaps striking something — is flipped into the air, and violently cartwheels down the street, spraying shards of metal and plastic all over the road. A second vehicle, a red taxi van, pulls up next to the carnage, right in front of Barry. The door opens and a faceless man places a harmonium on the sidewalk. The taxi speeds off. In less than a minute, everything is quiet again.

Barry takes the harmonium inside.

Barry is an angry, lonely man who will spend the span of "Punch-Drunk Love" awkwardly beginning a sweet,...

Released by David Bowie’s estate in 2022, Divine Symmetry, subtitled “An Alternative Journey Through Hunky Dory,” is a 4-disc collection chronicling the year’s work leading to David Bowie’s fourth studio album. Demos, previously unreleased tracks, and live recordings capture the sound of a vision in a state of flux.

As its lead single, “Changes,” makes clear, Hunky Dory, released on Dec. 17, 1971, presented a notable metamorphosis for the artist who would go on to define transformation. This worked against Bowie as his label, RCA Records, worried he would reframe his image again, and did not promote the single. Hunky Dory didn’t chart until after the release of Bowie’s 1972 album The Rise and Fall of Ziggy Stardust.

Bowie had only landed one hit during his tenure at Mercury Records, and it would have marked him as a novelty singer. “Space Oddity” charted five days before the Apollo 11 launch in 1969. His third album,...

Si Litvinoff, a film producer and lawyer whose work included “A Clockwork Orange,” “Walkabout” and “The Man Who Fell to Earth,” died Dec. 26 in Los Angeles. He was 93.

On “A Clockwork Orange,” Litvinoff acquired the rights to Anthony Burgess’ novel of the same name and developed it with screenplays from Burgess and Terry Southern. Litvinoff pursued director Stanley Kubrick for five years to helm the film, which was greenlit in 1970 and released in 1971. Litvinoff also executive produced “The Man Who Fell to Earth,” which was directed by Nicolas Roeg and starred David Bowie in his feature film debut.

After graduating from NYU School of Law, Litvinoff was a practicing lawyer for 12 years before transitioning into producing. His clients included Andy Warhol, Jim Dine, Jack Youngerman, Terry Southern, Timothy Leary, Joel Grey, Orson Bean, Rip Torn and Alan Arkin. He was also a member of the Academy of Motion Picture Arts...

Si Litvinoff, the visionary producer behind Stanley Kubrick’s A Clockwork Orange and the Nicolas Roeg-directed films The Man Who Fell to Earth and the Australian New Wave classic Walkabout, has died. He was 93.

Litvinoff died peacefully Dec. 26 in Los Angeles, his friend Shade Rupe announced. Rupe interviewed him for the Blu-ray release of Litvinoff’s groundbreaking 1968 film The Queen, which revolves around a national drag queen contest.

Litvinoff also produced the London-set All the Right Noises (1970), starring Olivia Hussey, Tom Bell and Judy Carne, and executive produced a Roeg-directed documentary about the 1972 Glastonbury Fayre music festival that featured performances by Traffic, Fairport Convention, Melanie and Arthur Brown.

In 1965, Litvinoff optioned Anthony Burgess’ 1962 novel A Clockwork Orange for a reported 500 and sent the book to Kubrick. While paying for screenplays by Burgess, Terry Southern and Michael Cooper, the producer sought Mick Jagger to star in it, all while Kubrick...